Fields of Tender

SERBIA / SWEDEN
2023
Dance
0-5
Fields of Tender is a dance performance that invites audiences to enjoy and explore an imaginary world inspired by tenderness, affection and love. The abundance of dance, music, sounds, extraordinary objects and interactive video projections welcomes audiences’ curiosity and provides them with a calm and intimate space to relax. The feeling of whimsy and charm intertwined with the ethereal and sensual feel fosters empowerment, togetherness and tranquility. The performance offers diverse experiences for all kinds of perceptions and welcomes all kinds of behaviors. The audience is invited to enjoy the performance freely and on their own terms. During the several-hour duration, the audience can enter whenever they wish, leave and re-enter during the show, and leave whenever it suits them.
Aspects of diversity and/or accessibility: Long-duration immersive dance performance for babies and/or neurodiverse/disabled children up to 10 years old.
Country: SERBIA / SWEDEN
Duration: 120 minutes
Gender: Dance
Release year: 2023
Recommended age: 0-5
Artistic sheet:

Choreography and general design: Dalija Acin Thelander
In collaboration with and performed by: Noah Hellwig, Jimmie Larsson, Jilda Hallin; Music: Thomas Jeker; Digital animation and interactive technologies: Filip Mikic

SERBIA, SWEDEN

What motivates me to create for younger audiences is the perception of the child as an equal to the adult, worthy of being introduced to the arts in the early years. Inspired by the notion of the relevance of childhood experience to our understanding of the human condition, my motivation is based on the boundless curiosity of developing exploration alongside a child, seeing a child as a partner in learning, as well as generating an understanding of the meaning and value of artistic experience. My motivation lies in the recognition of the urgency of questioning the perspective of performing arts for younger audiences within a general artistic and cultural context. I believe that shows for younger audiences should propose a valuable experience for both the child and the adult. They should resist the instrumentalization imposed by traditional ideas of the educational function of children's theatre, decline theatrical conventions, oculocentrism and patriarchal domination, and deny the concept of ultimate knowledge of the correct way to experience the world.

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