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«I have been considered an idealist for my goals of pursuing a fully inclusive theatre that seeks full equity as foundational and permanent aspects of our artistic society. However, I am not an idealist, but a realist. Nope believe that many creators, theaters, universities either entities funders, are attending to the reality that have in a world each time mores diverse and global. TO extent that change the cultures, the policies and the paradigms, seems that the artists who survive to the change They are the realists».
Stephanie Barton-Farcas. Disability an theatre: a practical manual for inclusion in the arts